THE SALT ROAD — Historical Screenplay
In Wyoming Territory, August 1849, a free Black woman traveling west with her children has her wagon seized by a settler party claiming it matches the description in a bill of sale. The wagon contains everything she owns, including the documents that prove her freedom. What follows is not a rescue: it is a woman building a case from physical evidence, finding the right audience, and presenting the truth in front of forty people who will have to live with what they decide.
Cora Bell, a free Black woman from Ohio, is nine months into the overland crossing to Sacramento when the Cross settler party claims her wagon under a bill of sale signed by a dying man. With her freedom papers locked inside the seized wagon, Cora walks three miles back on the trail and finds the real dead man's wagon, proving the two wagons are entirely different. Her private confrontation with Cross fails. At Sweetwater Crossing, before forty assembled travelers, she presents her case with physical evidence. The resolution hinges on Ruth Cross, who has known the wagon was wrong since the morning of the seizure. Ruth speaks. The wagon is returned.
- Genre: Historical
- 110 pages
- Language: EN
- Format: feature screenplay, instant PDF download
- Reader Access only; production, distribution and exclusive rights are not offered
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THE SALT ROAD
Cora Bell, a free Black woman from Ohio, is nine months into the overland crossing to Sacramento when the Cross settler party claims her wagon under a bill of sale signed by a dying man. With her freedom papers locked inside the seized wagon, Cora walks three miles back on the trail and finds the real dead man's wagon, proving the two wagons are entirely different. Her private confrontation with Cross fails. At Sweetwater Crossing, before forty assembled travelers, she presents her case with physical evidence. The resolution hinges on Ruth Cross, who has known the wagon was wrong since the morning of the seizure. Ruth speaks. The wagon is returned.
In Wyoming Territory, August 1849, a free Black woman traveling west with her children has her wagon seized by a settler party claiming it matches the description in a bill of sale. The wagon contains everything she owns, including the documents that prove her freedom. What follows is not a rescue: it is a woman building a case from physical evidence, finding the right audience, and presenting the truth in front of forty people who will have to live with what they decide.
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