GOOD FAITH — Romance Screenplay
A union negotiator and a company VP meet in a hotel bar the night before their high-stakes contract talks begin. Neither knows who the other is. By morning they have said things they cannot unsay. By nine AM they are on opposite sides of a negotiating table where four hundred and twelve jobs hang on the outcome.
CLAIRE MORROW, 38, has been a union negotiator for fifteen years. She knows how to win. DANIEL SHAW, 41, is the VP of Operations for the company she is about to face across the table. They meet in a hotel bar the night before negotiations begin. Neither knows who the other is. By morning they have been honest with each other in ways both of them have been rationing for years. When they sit down at the table at nine AM, what was between them in the bar becomes the most complicated thing either has brought into a negotiation. Neither is the villain. The obstacle is structural. Both cannot win. A sharp, warm, commercially viable two-hander about the cost of good faith in an unfair system.
- Genre: Romance
- 99 pages
- Language: EN
- Format: feature screenplay, instant PDF download
- Reader Access only; production, distribution and exclusive rights are not offered
- Every screenplay on ScriptLix is developed in house using AI tools under human direction. A person chooses the concept, then reads and corrects the draft before it is published.
More Romance on ScriptLix
Browse all Romance screenplays or explore the full screenplay catalog. Considering a purchase? Read the guide on how much screenplays sell for.
GOOD FAITH
CLAIRE MORROW, 38, has been a union negotiator for fifteen years. She knows how to win. DANIEL SHAW, 41, is the VP of Operations for the company she is about to face across the table. They meet in a hotel bar the night before negotiations begin. Neither knows who the other is. By morning they have been honest with each other in ways both of them have been rationing for years. When they sit down at the table at nine AM, what was between them in the bar becomes the most complicated thing either has brought into a negotiation. Neither is the villain. The obstacle is structural. Both cannot win. A sharp, warm, commercially viable two-hander about the cost of good faith in an unfair system.
A union negotiator and a company VP meet in a hotel bar the night before their high-stakes contract talks begin. Neither knows who the other is. By morning they have said things they cannot unsay. By nine AM they are on opposite sides of a negotiating table where four hundred and twelve jobs hang on the outcome.
Published
Updated
Language
Reading Time
Views
Free Preview
Development
Genres
Reviews
Got thoughts on this script? Sign in to leave a review
Sign in to review